‘I truly required a break after that!’ Your most gripping episodes of TV ever

Spooks – I Spy Apocalypse (2003)

The show kicks off with the MI5 agents confined while undergoing a drill concerning a fictional terrorist event, overseen by two Home Office officials. As events unfold, it seems an actual attack has occurred and a chemical weapon has been unleashed. The suspense builds as incoming communications show a catastrophe taking place outside, and intensifies as the boss appears to be infected, and the government agents endeavor to depart, compelling the character played by Matthew Macfadyen to opt for either shooting them or letting them go and risking contaminating the sealed MI5 offices. As this is Spooks, his decision is predictable.

The 1984 production Threads

The production was inexpensive but one of the most frightening programmes I have ever watched because of the stark reality and dismal official figures. Viewed it recently following the initial broadcast; I frequently went to the Sheffield pub from the programme which underscored the actuality and the glib matter-of-fact official information that were transmitted. Continuing to be utterly horrifying after three and a half decades.

Severance – The We We Are (2022)

The season one finale of Severance has to be right up there in terms of gripping installments. I spent the entire episode literally perched nervously, pushing alongside Dylan to hold the switches that allowed the Innies to remain active, while screaming at the Innies to get their truths out there. The concluding高潮 – “she’s alive!” – felt like an explosion.

Industry – White Mischief from 2024

Installment five in Industry’s third series had my heart racing. I needed to stop and stand and exit the space repeatedly due to the immense extent of the wanton self-destruction I observed. Rishi Ramdani faces serious trouble in his job and domestic life – up to his eyeballs in debt to loan sharks due to his addictive betting, engaging in dangerous ventures with a gamble on the pound which may result in huge losses for his employer. So of course, he goes on a gambling spree, does tons of drugs and drink and wins, loses, wins, is severely assaulted. Whenever you assume the situation cannot deteriorate further, it worsens. There’s hope of redemption by the episode’s conclusion but he squanders the opportunity, leading to terrible outcomes in the concluding part of the season. Absolutely had to relax following that!

The 2007 Peep Show episode Holiday

Peep Show itself isn’t necessarily a stressful show. But the episode Holiday includes such amounts of embarrassment that it can cause you to stand throughout the entire episode, permeated with worry. The situation intensifies when Jeremy and Mark realize being compelled to falsify about the canine they by chance collide with and later efforts to get rid of it. You then occupy the remainder of the episode wondering if it might be more awful than cremation, and it can be!

The West Wing – The Two Cathedrals (2001)

Nothing I have seen has been as tense than the first time I watched the season two finale to The West Wing. The show opens with the fallout of the demise (in a car crash) of the president’s confidential aide and reaches a crescendo with a crisis in Haiti, and the fallout from the non-disclosure about the president’s MS condition, coupled with verification of his aim to pursue re-election. Excellent TV. Never bettered.

Bodyguard – episode one (2018)

The start of the British program Bodyguard, with the hero aboard a train accompanied by his small son, is for me one of the most intense episodes ever. He spots a Muslim woman heading to the toilet and knows something is off. The bomb squad is alerted, enter the train, and attempt to convince the woman to take off her suicide vest. Tension escalates to a nearly intolerable level, until, finally, the vest is neutralized.

Buffy the Vampire Slayer – The Body from 2001

Buffy comes into her home to discover her mother has died from natural reasons, which is the least common kind of passing in this paranormal series. The episode has no background music, a sullen tone, and we see the episode through the experience of Buffy’s astonishment upon finding her mother.

The Sopranos – Made in America (2007)

The ultimate sequence of the series finale of the show was pants-wettingly tense. And if you viewed it when it first premiered, you – at first – weren’t sure why. Tony’s adversaries, actual and perceived, were all vanquished. This seems similar to the first season’s finale, right? “Think about the small elements.” However, the vibe is oddly threatening. Almost Twin Peaks levels of terror. The clan sits in an eatery. Meadow finds a parking spot. Tony gloomily informs Carmela difficulties are arising with yet another of his crew cooperating with the officials. Meadow secures a parking space. Odd persons arrive at the eatery. Look at Tony(?) Meadow is parking. Tony selects a song on the jukebox. Meadow parks her car. The bell sounds, an individual enters. It isn’t Meadow, she remains parking. Tony glances upward. Don’t stop. It halts. My heart sank about 20 minutes later.

The Walking Dead – The Last Day on Earth (2016)

I kept late hours to see this show in the early morning. It was so intense after the establishment of antagonist Negan discovering the characters, mercilessly mocking his targets then not knowing who he killed (concluded with a suspenseful moment). The point-of-view shot from the victim and the muted audio – oh no! {We then had to wait for season seven|We then needed to await season

David West
David West

A digital artist and design consultant with over a decade of experience in visual storytelling and creative innovation.